The docudrama “Framing Agnes” is an enchanting, multidimensional, mosaic-like glimpse at transgender life from the Nineteen Fifties to right now as interpreted by — and thru — a bunch of transmasculine and transfeminine performers and creatives and one uniquely spectacular tutorial.
Director Chase Joynt and his co-writer, Morgan M. Web page, construction this transient however enlightening movie round unearthed transcripts from a UCLA gender research clinic carried out within the late Nineteen Fifties and early ’60s by professor and sociologist Harold Garfinkel. He interviewed an array of trans women and men about who they had been — emotionally, bodily, sexually — and the way they obtained there. (The doc is a feature-length enlargement of Joynt’s same-named 2019 quick, which was co-directed by Kristen Schilt.)
The perfect recognized of Garfinkel’s conversations was with the pseudonymous Agnes (portrayed in reenactments by multimedia artist and TV producer Zackary Drucker), a pioneering trans lady who artfully used the examine (some would possibly say “gamed the system”) to achieve entry to then-elusive gender-affirming healthcare.
Over time, Agnes grew to become a transgender icon, as did Christine Jorgensen, who’s seen in archival footage from 1952, when she grew to become the primary American extensively recognized for present process (what’s now referred to as) gender affirmation surgical procedure — and, as identified right here, was essentially the most well-known lady on the planet that yr.
The movie cleverly re-creates a black-and-white, throwback-style TV speak present, with Joynt depicting Garfinkel as this system’s interrogating host. Along with questioning self-possessed secretary Agnes, “Garfinkel” interviews different trans topics akin to Georgia (performed by “Pose” actress Angelica Ross), a Black lady from the South; L.A. neighborhood ambassador Barbara (writer-actress Jen Richards); the working-class Denny (TV and movie director Silas Howard); remoted author Henry (poet and author Max Wolf Valerio); and 15-year-old Jimmy (author Stephen Ira, the 30-year-old son of Warren Beatty and Annette Bening). The forged successfully, if at instances a bit self-consciously, makes use of Garfinkel’s unique UCLA transcripts to breed these probing discussions, which well by no means overstay their welcome.
The performers additionally properly reconstruct bits of their characters’ worlds exterior the gender examine. Talking as their actual selves, they have interaction in candid chats with Joynt in regards to the complexities and realities of trans life and their very own singular journeys. Ross’ perspective on how Black girls have so typically been the face of the transgender motion but stay those most in danger is especially illuminating.
The troubling paradox of visibility versus invisibility, particularly for trans girls of shade, is additional exemplified by way of a clip from Katie Couric’s clumsy 2014 daytime TV interview with “Orange Is the New Black” transgender actors Laverne Cox and Carmen Carrera. Couric’s invasive questioning prompted Cox to tell her that “the preoccupation with transition and with surgery objectifies trans people.” (Lesson apparently realized, a number of years later Couric took a deeper, extra respectful dive into the subject within the Nationwide Geographic Channel documentary “Gender Revolution.”)
The movie’s spotlight, nonetheless, is an interview with Jules Gill-Peterson, a transfeminine historian and the creator of “Histories of the Transgender Child.” She gives a deeply insightful and articulate commentary all through that echoes and expands upon what Joynt and his forged focus on about each trans historical past and the methods by which trans individuals navigate up to date society. She’s a terrific spokesperson.
Joynt took a not dissimilar filmic method in his effective 2020 documentary “No Ordinary Man,” which shined a light-weight on transmasculine Nineteen Forties and ’50s jazz musician and bandleader Billy Tipton. Though that film centered on one lead character, it additionally employed a vibrant group of trans voices to assist carry Tipton’s charming story to life.
“Framing Agnes” continues Joynt’s very important and unique function explorations of trans tradition and makes for a robust companion piece to “No Ordinary Man.”
Working time: 1 hour, quarter-hour
Taking part in: Laemmle NoHo 7, North Hollywood