‘House of the Dragon’ Episode 2: What Dragonstone showdown means

Time strikes rapidly in Westeros, or a minimum of in “House of the Dragon.” Six months have handed because the occasions of final week’s premiere, and the tendrils of recent tales launched firstly of the “Game of Thrones” prequel take root Sunday because the HBO drama returns with its second episode, “The Rogue Prince.” The stage is now set for all method of regal treachery, underdog heroics and the wholesale slaughter of characters we’ve come to like.

The primary season of “House of the Dragon” has the posh of transferring a lot sooner than early installments of “Game of Thrones” just because it’s not encumbered with introducing unusual new realms, mapping sophisticated household timber and translating weird vernaculars. Anybody who’s watched the unique collection has a minimum of a passing familiarity with the dangerous blood between homes — and the place the our bodies will finally be buried, burned, mutilated and so forth. Connecting the dots between the 2 collection is half the enjoyable, however “House of the Dragon” doesn’t depend on that sport to make the drama fly. Males’s ruthless conquest of energy, the resourceful machinations of ladies and the close to absence of diplomacy are all set to propel this narrative.

Episode 2 captures early indicators of unrest in Westeros: Pirate ships are threatening commerce routes, dragging the Targaryens nearer to a serious battle than they’ve been in for many years. Acrimony between light King Viserys Targaryen (Paddy Considine) his impetuous brother Prince Daemon (Matt Smith) threatens to spill over since Daemon was denied his place as subsequent in line to the throne and was banished from King’s Touchdown by his brother. The prince flew away on his dragon, surreptitiously claiming the household’s ancestral citadel of Dragonstone as his personal. He additionally stole a treasured dragon egg from House Targaryen, claiming that he’s entitled to the treasure as a result of his soon-to-be second spouse, prostitute Mysaria (Sonoya Mizuno), is with baby (she’s not) and it’s customary to put a dragon egg within the child’s crib.

The newly appointed inheritor to the throne, Princess Rhaenyra Targaryen (Milly Alcock), has little energy. She’s a woman, in spite of everything, and remains to be relegated to pouring wine for the lads of the elder council relatively than sitting on the desk with them, making choices for the way forward for the realm. She is aware of of her uncle’s transgression and the king has forbade her from getting concerned.

She does so anyway — and her confrontation with Daemon on the bridge to Dragonstone is directly a shocking cinematic achievement and a nuanced scene between rival relations that attracts its inspiration from “Game of Thrones’” extra indelible moments. The King’s Hand, Otto Hightower (Rhys Ifans), is already there with a small military demanding that the prince hand over the egg and vacate the citadel. However Daemon is an intrepid warrior and — with former king’s guardsmen backing him and a dragon perched atop the cliff — Hightower & Co. are instantly outmaneuvered.

Till Rhaenyra emerges via cloud cowl atop her dragon, that’s. After touchdown on the bridge, the petite teen makes her approach confidently via rows of armored, grown males till she’s immediately in entrance of her uncle. Hand over the egg, she calls for. He says he’s protecting it for his new spouse. She reminds him that he’s already married. However he didn’t get to decide on his first spouse, he protests. She clucks her tongue, disregarding his grievance as if she had been coping with a toddler, after which will get to the purpose: She took his place in line for the Iron Throne. He’s mad. So go forward, kill her. That’ll finish this charade for good. Entrapped by his personal posturing and hubris, he caves. She walks away, egg in hand.

Matt Smith as Prince Daemon Targaryen in “House of the Dragon.”


It’s a quiet flip of energy, an indication that she’ll be a formidable queen and proof that she’s already extra crafty and fearless than her father.

The place is the king? Again at King’s Touchdown, mourning the demise of his queen and new child son whereas going through the stress to decide on a brand new spouse. Lord Corlys Velaryon (Steve Toussaint), head of House Velaryon and earner of the title “The Sea Snake” on account of his historical past as the very best sailor in Westeros, needs the king to marry his daughter. By no means thoughts that she’s simply 12. She’s a great match, on parchment, a minimum of. Lord Corlys is the wealthiest man within the kingdom and probably the most highly effective subsequent to the king. He’s a direct descendant from the traditional House Velaryon, and meaning one thing.

For five,000 years, Valyria was the capital of the best civilization ever identified within the land of Essos. (Westeros was an unexplored frontier by comparability.) A lot of Valyria’s energy was derived from taming dragons and utilizing them to beat surrounding homes and realms. However a volcanic eruption decimated Valyria centuries in the past, wiping away its individuals and practically all 1,000 of their winged beasts. The far-away House Targaryen and its handful of dragons survived the cataclysmic occasion and rose to energy after the downfall of the Valyrians. A century later, they conquered Westeros and established the dynasty we see in “House of the Dragon.”

Although we’re simply attending to know the king, he looks as if a fellow susceptible to poor decision-making, and his selection of a spouse in Episode 2 seems to be one other dangerous transfer, one which units a brand new political rivalry in movement. There’s additionally the thriller of what’s consuming at him, actually. The king’s physique is plagued with oozing sore spots, maybe inflicted by the sharp edges of the throne. The treatment for the ailment on his finger? Soaking his hand in a bowl of maggots. (Did I point out it’s greatest to not snack whereas watching “House of the Dragon”?)

“The Rogue Prince” strikes the story alongside exponentially and delivers on the drama, grandeur and sensible discourse that “Game of Thrones” followers anticipate. And the lady who could be king is now an enormous a part of that intrigue.