I’m conscious of how ludicrous it’s to leap from an antiwar film to an aggressively pro-military one, however of such contradictions is any wide-ranging finest image lineup made. We’re additionally now getting into the sequel portion of this record, which might have been much more strong had “Black Panther: Wakanda Forever” and/or “Glass Onion: A Knives Out Mystery” made the most effective image lower, as some suspected they may. Cynical minds would possibly conclude that the academy opted for “Top Gun: Maverick” and “Avatar: The Way of Water” attributable to their staggering field workplace billions, they usually might be proper. At a second when theatrical moviegoing has seldom appeared extra endangered, it’s simple to think about voters gravitating towards the business juggernauts that saved the trade alive, even when the inevitable Hollywood penalties — extra massively over-budgeted occasion films and sequels, and treasured little else — recommend probably the most Pyrrhic of victories.
However there’s additionally one other dynamic at play. These are two of the longer-gestating sequels in latest reminiscence, which speaks to the appreciable care and thought that’s gone into their making, in addition to their refusal to take the viewers’s funding as a right. And within the case of “Top Gun: Maverick,” that refusal has resulted in a sequel that, whereas far much less sweatily iconic than its 1986 predecessor, turns into, within the palms of director Joseph Kosinski, a markedly richer, emotionally rounder expertise. It’s a pleasure to see Tom Cruise return to considered one of his signature roles, which many had been hoping would possibly land him his first appearing nomination since 1999’s “Magnolia,” and to see him upstaged by Val Kilmer’s one-scene heartbreaker of a efficiency. However what offers “Top Gun: Maverick” its particular kick is the way in which it turns naval aviation into its personal cinematic metaphor. In its hope for the brand new era however its refusal to desert the outdated, its perception that seemingly antiquated applied sciences can nonetheless be sources of delight, accomplishment and even salvation, is a deeply honest expression of religion within the films, their previous and their future.